Shoot when you see a sharp highlight on the iris, at ƒ1.4 – be mindful of those highlights thomas
— M. Avedon, 1982 ( from TC's memory )
"Michael Avedon taught me his beloved passion for being in and shooting any moment with profound artistry."   - TC

"Michael Avedon taught me his beloved passion for being in and shooting any moment with profound artistry."   - TC

 

The mouths and eyes in the ORANGE IS THE NEW BLACK main title sequence actually belong to women who were former inmates, not the actresses themselves
— Ava

The first frame of the "Orange is the New Black" main title sequence. 

Artist JK's editorial and emotive color FX finish

Artist JK's editorial and emotive color FX finish

Artists JnJ's logo-mark brand design for the show


WE SHOOT LIVE ACTION 4k,6k,8k,

Shooter TC captured his subject from a French motorcyclist's sidecar in 'style naturel'. TCGstudio shoots live action at 4K, 6K, and 8K resolutions on Red Dragon, Arri Alexa, and Bell & Howell 35mm Eyemo cameras. On special projects, medium format Hasselblad H5D MS.

Shooter TC captured his subject from a French motorcyclist's sidecar in 'style naturel'. TCGstudio shoots live action at 4K, 6K, and 8K resolutions on Red Dragon, Arri Alexa, and Bell & Howell 35mm Eyemo cameras. On special projects, medium format Hasselblad H5D MS.


COMMERCIALS AND

A 148+ morning on a commercial. Milo motion control gets into rehearsal mode.

A 148+ morning on a commercial. Milo motion control gets into rehearsal mode.


MAIN TITLE SEQUENCES

52 women shot in 8 hours at Homeboy Industries - Los Angeles. 9 women in NYC. In Los Angeles, TC helped 52 women visualize good memories as well as 'things to forget.' This main title sequence was for Jenji Kohan's Netflix series "Orange is the New Black." 

52 women shot in 8 hours at Homeboy Industries - Los Angeles. 9 women in NYC. In Los Angeles, TC helped 52 women visualize good memories as well as 'things to forget.' This main title sequence was for Jenji Kohan's Netflix series "Orange is the New Black." 


When we played the piece, the client said, simply, “I’ve got goosebumps.”

And in the world of advertising, goosebumps are gold.

Thanks, man.

-TM

— Tim Mamis, Creative Director of BOSE Corporation
Bose PRE-SHOOT photo realistic storyboards.

Bose PRE-SHOOT photo realistic storyboards.

Stills from the finished commercial.

What TCG does is hard to put into words. They are chasing ways to represent human emotions. When you see a sequence of theirs, it can make your skin crawl, punch you in the gut – and sometimes make you want to watch it again.
— Mark Ting